boss gr 20 manual

boss gr 20 manual

Additionally, in order to feel assured that you The manual should be saved and kept on hand as a conve- No part of this publication may be reproduced in any form without the written No part of this publication may be reproduced in any form without the written. Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page. If using some other make of connection cable, please note the following precautions. If the bank has been switched from an external device (such as via MIDI or by the switches of your GK pickup), the indicator for the selected bank will light regardless of the position of the BANK knob. If you have connected the GUITAR OUT jack (30) to an external effects unit, connect the output of your effects unit to this jack;. Check the following points. 1. Make sure that the GR-20 is in Play mode (the state it’s normally in immediately following power up). In some cases, you won’t hear any sound if the GR-20 is not in Play mode. The sound that is processed by your effects unit can be connected to the GR-20’s MIX IN, and internally mixed with the GR-20’s synth sound. If the selector of your GK pickup (e.g., GK-3, GK-2A) is set to the GK position (labeled SYNTH on the GK-2A), the synth sound will be output. This process is called “editing.” When you edit the settings, the decimal point in the display will light, indicating that the sound has been modified from the original settings. H1: HOLD 1 The notes that were sounding when you pressed the pedal will be held, and any. The BANK indicator will change to USER, and the display will blink. If necessary, perform the Bulk Load operation once again. Connecting an External Sound Module or Sequencer Connect the GR-20 to your external sound module or computer (sequencer) as shown in the diagram. Model ID of exclusive message available on the GR-20 is 00H 72H.Device ID is fixed at 10H.

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When the GR-20 receives an Identify Request inquiry message, it will transmit an Identity. If the address matches with one of the parameter base addresses of the GR-20, the received data is stored at the specified address of the memory. Default Basic Channel Changed Default Mode Messages Altered Note True Voice Number: Note ON Velocity Note OFF After Key's Touch Ch's Pitch Bend 0, 32 6, 38 Control. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. To help woo these players, the GR20 is Roland's most affordable and easy-to-use guitar synthesizer to date, yet it also contains a huge library of categorised synthesizer sounds stored as presets that can be adjusted using very few controls and then stored as user patches if required. A new all-digital pitch-tracking system replaces the hybrid analogue approach used on earlier instruments, and there's also a new, more up-to-date hex pickup called the GK3 that comes bundled with the GR20. This pickup can be fitted to most steel-string (six-string) guitars, where it must be mounted as close to the bridge as possible and spaced from the strings fairly precisely as described in the setup instructions. Once this is done, a simple adjustment of sensitivity to allow for string gauge and playing style is all that's needed. This function is deemed so important that it now has its own button. The string picking intensity is shown on an LED level meter, and you simply work through all six strings adjusting the sensitivity so that the top LED only comes on when you play hard. A number of commercial instruments are available with a GK3 pickup system built in, and any of these may also be used with the GR20.

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Furthermore, a new software revision allows bass guitars fitted with a Roland GK pickup system to be used — the special bass mode is entered by holding down a key combination while powering up. I didn't get a chance to try this myself, as no bass pickup was supplied, but I saw it demonstrated recently, and it seemed to work extremely well with no apparent tracking or glitching issues. Depending on the patch, the pedal is used to adjust volume or some other variable function, such as filter frequency. An 11-way rotary switch selects one of ten categorised sound banks (strings, brass, wind, synths, and so on) or the user bank, and each bank typically offers between 31 and 93 patches. In all there are over 450 patches based on Roland's latest generation of sample-based synthesis, and these can be further modified using simple envelope and filter controls, transposition, and onboard delay, reverb, and chorus effects. Patch changes based on these few controls can be saved into the user bank, or you could utilise the user bank simply as a means of organising your performance patches in sequence. By default, the two footswitches control the Glide effect and the all-important Hold function, but they can also be set to increment or decrement patches if preferred. However, the two buttons on the pickup control unit can be used to step through patches, as can the data knob on the GR20, so in most cases it makes sense to leave the pedals set to Hold and Glide. The synth volume can be adjusted from the pickup control unit. However, the unit does include a very accurate tuner that uses the status LEDs above the knobs as indicators. When the central green LED lights, the string is in tune. Power comes from an external PSU unit, and a special multi-pin cable connects the GK3 pickup to the floor unit, carrying both the pickup signals and the guitar signal, provided that you plug the guitar output into the special guitar input on the GK3.

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The guitar signal emerges from a separate Guitar Out jack on the GR20, though there's also a mix input that can be used as an effects return if you need to use external effects. This input can be used to add other sources, too, such as a backing track, to your mix. One interesting touch is that each of the patch category switch positions 'remembers' which preset number was selected last time you used it, which could be useful in a performance situation, though this information vanishes when the machine is switched off. A Local Off mode is available for sequencer work. It is important to note that the pitch-bend range of the GR20 is set at 24 semitones to allow the system to cover string bends and glides with maximum resolution, so any external synth must also be set to the same range unless you're only playing chromatically (no bends). Photo: Mark Ewing Envelope modifications can be made via Attack and Release knobs, where the changes are generally applied to the original envelope of the patch with both positive and negative ranges of adjustment. A single knob selects delay or reverb and enables the amount to be adjusted, while the chorus effect has a knob of its own. There's also a separate knob for the patch level. Two alternate rows of functions are printed above the knobs, and each row has a selector switch with status LED to show which set of functions is currently being controlled. Pressing the selector button repeatedly steps the status LED along the row to show which parameter will be changed when the data wheel is turned. The lower row allows Filter Brightness (frequency), Resonance, Transpose Value, and Play Feel to be controlled, while the upper row accesses system setup functions such as the output base MIDI channel (channels run sequentially from the bottom string, as each string sends on a different MIDI channel), the switch modes, patch linking, and choice of output type.

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Most of these turn out to be pretty self-explanatory, and it is a tribute to Roland that the manual extends to only 33 pages before you hit the patch lists and MIDI specifications. On other GR models, you're also able to select whether the notes play in semitone steps or whether you can bend notes, but here the choice is made for you depending on the patch selected. For example, a grand piano has no pitch-bend unless you have a very large jack and a solid floor, so the piano patches tend to be chromatic! The fifth setting, 'ND', means everything plays at the same level, so there are no dynamics, and this may be suitable for organ patches or harpsichords, which also have no natural dynamics. A sixth setting denoted as 'ST' suppresses low-velocity notes to help tidy up playing when you're strumming, though fast strumming is something that no guitar synth responds to particularly well. Suitable settings are chosen for the preset patches, so if you wish to change one, you have to re-save the modified patch into a user memory. Alternatively, double-sided sticky pads work fine, and plenty of fixing accessories are included. The box part of the system has the same two buttons, a three-way selector switch, and a volume knob, but the layout is a little more ergonomic than it was previously. The guitar can be plugged in using the short jack lead supplied, which has a quarter-inch jack at the pickup end rather than the previous mini-jack. The mounting kit for the pickup includes self-adhesive shims and double-sided pads as well as screws, but there's now also a little bracket that slots over two-post bridge supports (Les Paul-style) to hold the pickup in place without screws or adhesive. The pickup then screws to this bracket via the included rubber tube washers or springs that compress to allow the pickup height adjustment to be fine-tuned. Note that the pickup is a humbucking design to help reduce interference from computer monitors and other sources.

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That said, in my experience sitting too close to glass CRT monitors can still cause tracking problems, even though the result of the interference is not audible as hum or buzz. There are four Hold modes in all, each one designed for a specific style of playing. The first effectively holds any note you play until you play a new note on that string, after which the new note takes over. This mode is fantastically effective for playing orchestral string parts, and the results are more realistic than anything I've been able to achieve from a keyboard, as it's easy to create moving melodies over static notes or chords played on other strings. This is good for playing clean organ parts based on chord changes, or for freezing chords while you noodle over the top using the normal guitar sound. The third mode holds the notes that are being played, while allowing you to play notes on the remaining strings without them being held. This is again good for freezing chords and then noodling over the top, this time playing melodies on the free strings. The final hold mode holds all the notes that were playing when hit the pedal, and also holds subsequent notes you may play on the remaining strings. My only concern is that the presets don't seem to provide visual information as to which Hold or Play Feel mode is currently active. Many old favourites are in evidence here, though the patches have been selected with guitar players in mind. It is also worth pointing out at this stage that the GR20 works equally well with the older GK2 pickup system, which has the same arrangement of switches. In fact, the only sounds that invariably disappoint are those based on guitars, as they rarely sound anything like the real thing due to the influence playing style has on real guitar sounds. On the other hand, the bass guitars are really good.

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There are also some interesting splits, where the low one or two strings play different sounds to the others, and this is particularly effective where a bass sound has been added on the lower strings along with an octave of downward transposition. Notably absent, though, were many (or indeed any) velocity-switched sounds, so no matter what you play you always seem to get the same sound, just louder or quieter depending on how hard you pick. Where it does fall down slightly is that notes sometimes re-trigger at a low velocity when you lift your fingers from the strings, especially at lower fret positions, and this is most obvious with percussive sounds such as piano. All Roland's MIDI guitar synths have suffered from this, so vulnerable sounds have to be played with extra care, and here the hold functions can help, as can damping the strings with your hand when lifting off from chords. It would be rather nice if the tracking software included some intelligent algorithms to strip out low-velocity hammer-offs to open strings, as these are almost always the result of fingering noise. This isn't a fault of the synth, but simply the way different instruments 'speak'. If you try to play a fast guitar run on a tuba, it won't sound right because the natural attack of a tuba (real or synthesized) is too slow to permit it. You have to get the characteristics of the instrument you're using into your head and try to play accordingly, and that often means slowing down, and playing with more thought. On the whole, fairly clean players should have no trouble adapting to the GR20, though more sloppy players may be able to goad the system into glitching occasionally. Nevertheless, the GR20 does provide a practical way for the guitarist to make better use of MIDI sequencing, and you can easily identify and strip out any rogue low-velocity notes in your sequencer's event editors.

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The best way to work is to control six monophonic synths on six separate MIDI channels, as this allows independent string bending (provided that your synth can be set to a bend range of 24 semitones), but you can also work in the simpler Poly mode if you only want to play chromatic parts or single melody lines with string bending. Sax and solo string parts can be made to sound particularly realistic this way, but I can't emphasise too strongly that making good use of the hold function is the real key to creating a convincing performance where you need sustained notes. Not every patch is staggeringly realistic or expressive, but enough of them are that many people will get by perfectly well using just the internal sounds. There's no need for guitar players to worry about the intricacies of synthesis, because there are so many great presets ready to go and the tracking is both fast and accurate provided that you play reasonably cleanly and get your fingers down before you pluck, rather than slightly after. Claims that you don't need to adapt your playing technique at all are somewhat exaggerated, but playing cleanly without 'digging in' will avoid trouble most of the time. If bad experiences with earlier guitar synths have put you off, put all that behind you and give the GR20 a chance. I think you'll be impressed. Pros Affordable, and includes the pickup. Easy to operate. Good range of presets. Cons Limited editing facilities. No way to layer or velocity-switch sounds. You have to tidy up your playing a bit, but the results are worth it. Everything You Wanted To Know About Studio Headphones. 1 month 3 weeks ago. Top 10 Boring Things That Are Really Important In The Studio 2 months 3 weeks ago. SOS VIDEO TUTORIALS How to find local singers. Superlux 502?

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The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The Roland Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Something went wrong.Get the item you ordered or your money back. If needed, we can send a video of everything working in action.User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. Get Details As you shop, we'll only show you items that ship to Russian Federation. If you prefer to see our full catalog, change the Ship-To country to U.S.A. Click here Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Ever wanted to thicken up your guitar sound with. Click To Read More About This Product Ever wanted to thicken up your guitar sound with a warm synth pad. Or how about a screaming lead sound that puts you in front. The GR-20 Guitar Synthesizer makes playing high-quality synthesizer and instrument sounds from your guitar as simple as 1-2-3. First, attach the included GK-3 Divided Pickup to your steel-stringed electric (no drilling necessary). Second, select the type of sound you want using the Bank knob. With the GR-20, it's easy to tap into the power of guitar synthesis. Guitar Synth or Compact Pedal. With the GR-20, it feels like both.

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Selecting a sound is like choosing an effect. First, select a sound category using the Bank knob. Roland's Finest Sounds with Exceptional Tracking At the heart of the GR-20 is an advanced sound engine based on Roland's professional synthesizers. Sounds can be played with up to 48-voice polyphony for full, rich-sounding patches. And the sounds are equally impressive. From expressive string ensembles to spiritual tabla loops coupled with sitar--all with adjustable attack and release. Sophisticated DSP makes the GR-20's pitch detection ultrareliable, so you can strum with confidence. Take Your Guitar Playing Further Want to create a sound that's all your own. Try blending the natural sound of your guitar pickups with the GR-20. Thankfully, the GK-3 Divided Pickup makes this easy via a larger and smoother knob. Imagine playing chords and then slowly fading in a swirling, breathy pad to create intensity. Or how about playing a distorted lead on your guitar with a thick synth lead sound. Now take this a step further with the GR-20's Patch Link function. It allows you to easily assign GR-20 patches to match effect patches in MIDI-capable processors such as the BOSS GT-6. Includes the GK-3 Divided Pickup When you buy a GR-20, you also get a GK-3 Divided Pickup and GK cable in the box. In other words, everything you need to start playing synth sounds is included. The pickup includes an adjustable curve design to keep an even distance between the strings for better response (the pickup cable length is also adjustable). Owners of LP-type guitars can install the GK-3 pickup safely using a special attachment plate included in the box. The GR-20 Guitar Synthesizer makes playing high-quality synthesizer and instrument sounds from your guitar as simple as 1-2-3. First, attach the included GK-3 Divided Pickup to your steel-stringed electric (no drilling necessary). Second, select the type of sound you want using the Bank knob.All Rights Reserved.

Publisher does not accept liability for incorrect spelling, printing errors (including prices), incorrect manufacturer's specifications or changes, or grammatical inaccuracies in any product included in the Musician's Friend catalog or website. Prices subject to change without notice. I bought it a couple of weeks ago without the guitar pickup from Cash Converters. I thought I'd plug my Midi keyboard into it until I can afford the pickup unit, but the midi in doesn't work. I have a mate who has the same unit and he plugged his guitar into the 13pin socket and everything worked fine. He then connected the midi out to his computer and recorded a track on Cubase which was fine but he could not get any response when the midi in was used. I can only get the schematic for the GR-30 which is a lot different to the GR-20 but which has given me an idea that the opto-isolator on the midi in might have blown. Has anyone got the GR-20 schematic that I can purchase please I don't think you need to rip it open. I've used mine with an M-Audio Keystation 88. It works fine. I connected it up to an oscilloscope and tested the Opto Isolator chip on the midi in. I get a signal when I press a key on my keyboard at the input of the isolator, and I get a signal on the output of the isolator when I press a key. Does anyone know which CPU on the main board receives this signal, and which pin is it. Hope you can help, I can get the schematic for all the GR synths except the GR-20, which seems to be completely different to all the others, the layout, the chips, etc. Has anyone got any electronics knowledge of where the signal ends up, which CPU, on the main board. Regards, Cobweb. If the signal reaches the CPU it's supposed to, then It's the CPU at fault. I don't know which CPU it goes to, that's why I want the Schematic. You pretentious gobshite. Regards, Cobweb. Please refrain from cursing people out. It never helps anyone.

Elantric is one of the most knowledgeable and helpful people on this forum. If your statement was misunderstood, please say so, and leave it at that. If the signal reaches the CPU it's supposed to, then It's the CPU at fault. I don't know which CPU it goes to, that's why I want the Schematic. You pretentious gobshite. Regards, Cobweb. Cobweb, you'd be hard pressed to find anywhere else on the web with the know-how to help you with a GR-20 problem. Alienating the one source available to you makes no sense. Apologizing does make sense. Has a factory reset been tried on the GR-20. Other GR-20 resources (but not the GR-20 - for future reference to others) Sorry Elantric. Gumtown, the first thing I do when I buy a pedal is to factory reset it, but thanks for saying that in case I didn't know. I contacted Roland as soon as I bought it but never got a reply from them. Anyways, I've had four times the above amount of alcohol today so I'm gonna bid you all goodbye, for good, thanks for tryin'. I just purchased my 2nd GR 20 as a backup to the one I still use on gigs. I'd like to sync them so that the patches are the same and so I'll be able to use them interchangeably. If my current one went down or got lost, I'd be sunk. In your opinion, what is the best way to go about doing that? (Making them both the same layout) Thank you for your time. Provides an overview of key features, functions and operational tips. Register your product and stay up-to-date with the latest warranty information. You’ll learn how to set up your rig, and how to optimize the GR-20 for the way you play. It also discusses the various ways to select patches and how to get the most out of them. In this booklet, you’ll learn how to edit GR-20 patches, changing the way they sound and the way they behave. It contains lots of setup instructions and tips for sequencing. Or how about a screaming lead sound that puts you in front.

The GR-20 Guitar Synthesizer makes playing high-quality synthesizer and instrument sounds from your guitar as simple as 1-2-3. First, attach the included GK-3 Divided Pickup to your steel-stringed electric (no drilling necessary). Second, select the type of sound you want using the Bank knob. With the GR-20, it’s easy to tap into the power of guitar synthesis. The GR-20 now offers a new GK-3 and GK-3B Divided Pickup for guitar and bass players. The GR-20 offers two modes. Guitar Mode and Bass Mode to accommodate the different ranges and allow for faster tracking. The GK-3B can also work with 6 string basses as well. Or how about a screaming lead sound that puts you in front. The GR-20 Guitar Synthesizer makes playing high-quality synthesizer and instrument sounds from your guitar as simple as 1-2-3. First, attach the included GK-3 Divided Pickup to your steel-stringed electric (no drilling necessary). Second, select the type of sound you want using the Bank knob. With the GR-20, it’s easy to tap into the power of guitar synthesis. The GR-20 now offers a new GK-3 and GK-3B Divided Pickup for guitar and bass players. The GR-20 offers two modes. Guitar Mode and Bass Mode to accommodate the different ranges and allow for faster tracking. The GK-3B can also work with 6 string basses as well. Paste as plain text instead Display as a link instead Clear editor Upload or insert images from URL. The Roland Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Registrera din produkt och fa aktuell information om din garanti. Detta avtal licensierar programvaran till dig och innehaller garanti- och ansvarsfriskrivningsklausuler. Om du inte samtycker till dessa villkor, hamta inte materialet. Du kan skriva ut en kopia av detta Licensavtal genom att valja det alternativet nedan.Detta avtal ger dig mojlighet att anvanda Roland Produkten pa en dator eller tillamplig Roland-utrustning.

Du far gora en kopia av Roland Produkten i maskinlasningsbar form enbart av sakerhetsskal. Du maste aterge pa en sadan kopia all information om copyright och alla andra aganderattsforklaringar som aterfinns pa originalet.Du far inte gora eller distribuera kopior av Roland Produkten. Inte eller elektroniskt overfora Roland Produkten fran en dator till en annan eller over ett natverk. Du far inte dekompilera, avkoda, demontera eller pa annat satt reducera Roland Programvaran till en for manniskan lasbar form. Du far inte andra, salja, hyra ut, overlata, salja vidare i vinstsyfte, distribuera eller skapa harledda verk baserat pa Roland Produkten eller nagon del darav.Du blir inte agare och Roland och deras leverantorer behaller ratten till Roland Produkten och alla kopior darav. Alla rattigheter som inte uttryckligen beviljas i detta avtal, inklusive och utan begransning av nationella och internationella upphovsratter, patent, varumarken och andra immateriella rattigheter ar uttryckligen reserverade av Roland.Dessa begransningar eller undantag av garantier och ansvar paverkar inte de lagstadgade rattigheter for konsumenterna som finns.Du samtycker till att Roland inte skulle kunna erbjuda Roland Produkten utan sadana begransningar.Detta avtal skall regleras av Svensk lag, utan hansyn till eventuella motsattningar inom olika foreskrifter. Detta avtal innehaller hela avtalet mellan parterna med avseende pa dess innehall, och ersatter alla tidigare eller samtidiga avtal och overenskommelser, vare sig muntliga eller skriftliga. Alla fragor rorande detta avtal bor riktas till: Roland Scandinavia, Marbackagatan 31, SE-123 43 Farsta.All rights reserved. Rimanete aggiornati sulle novita, gli artisti, le promozioni, eventi e molto altro. Register your product and stay up-to-date with the latest warranty information.

In nessun caso Roland puo essere ritenuta responsabile verso gli utenti finali per eventuali danni, di qualsiasi natura, inclusi ma non limitati a danni finanziari per la perdita di profitti o informazioni derivati dall’uso, o dall’impossibilita di usare questo aggiornamento. La precedente clausola e efficace anche se Roland Corporation fosse stata avvisata della possibilita di tali danni. Questo e un accordo legale tra voi (una persona fisica o giuridica) e Roland Corporation (da qui in avanti chiamata “Roland”) riguardo all’uso di questo prodotto software (da qui in avanti chiamato “SOFTWARE”). Leggete con attenzione i termini di questo Accordo di Licenza prima di installare il SOFTWARE. Installando il SOFTWARE, acconsentite ai termini di questo Accordo di Licenza.L’uso del SOFTWARE include il caricamento del SOFTWARE nella memoria temporanea (cioe, RAM) o l’installazione del SOFTWARE su una periferica di memorizzazione (cioe, hard disk) del computer su cui usate il SOFTWARE.Percio, dovete trattare il SOFTWARE come qualsiasi altro materiale coperto da diritti di autore (cioe, un libro o un CD). Tutti i diritti non esplicitamente concessi da questo accordo restano riservati a Roland.Ma potete permanentemente trasferire il SOFTWARE ed il materiale stampato che lo accompagna a patto di non conservare copie del Software e che l’acquirente concordi con i termini di questo Accordo di Licenza. Se il SOFTWARE e stato aggiornato, qualsiasi trasferimento del SOFTWARE deve includere l’aggiornamento piu recente e tutte le versioni precedenti.Non dovete usare i supporti restanti su un altro computer.Leggete interamente le istruzioni, e sappiate che utilizzate il SOFTWARE A VOSTRO RISCHIO.