haynes repair manual citroen berlingo 2010

haynes repair manual citroen berlingo 2010

Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Please try again.Please try again.Please try again. It is now undergoing a renaissance as an 'eco-friendly' building material because of its amazing 'green' credentials. 'Building with Cob' shows how to apply this ancient technique in a wide variety of contemporary situations, covering everything from design and siting, mixing, building walls, fireplaces, ovens and floors, lime and other natural finishes, and gaining planning permission and building regulation approval. It also explains in detail how to sensitively restore an old cob structure. This book is a step-by-step guide, lavishly illustrated with over 300 colour photos and 85 diagrams. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Adam and Katy are the authors of Building with Cob and Using Natural Finishes for Green Books. Full content visible, double tap to read brief content. Videos Help others learn more about this product by uploading a video. Upload video To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please try again later.The only problem is that it is definitely directed at a UK audience, so a lot of the technical info on planning, land use, siting, and such isn't very helpful for North American builders. I think most of it could be figured out, and I enjoyed reading about this timeless construction method, but an American edition might be nice. I've lived in England, so could appreciate the differences more than some.The examples are clear and easy to understand.

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The information is honest in what is and is not a good idea when working with cob. The building code section only applies to Europe though, so if you live in the USA you will need a different source for your local cob building coding. I do very much wish there had been more examples of the wonderful art you can do using cob and adobe coatings like carving Celtic knot work coming off the walls around your windows or trees flowing right out of the wall into the room. I was also a bit disappointed there were not many examples of built in niches like book cases, kitchen shelves, reading nooks, etc.I know that would have made the book a lot more expensive though:) so maybe they will print an artistic ideas book to go in this series with their other books. There are less examples in that book of application too. This book however has great diagrams and picture examplesHome owners can build their own homes with materials that are local and sustainable. The book includes 13 chapters packed with information. Chapter 1 - Earth Building around the world Natural building with the materials that are local and easily available has always been a popular choice. There are many earth buildings around the world. In this chapter the authors discuss the vast range of earth buildings and provide an outline of their history. It discusses things like the best way to capitalize on passive solar and other environmental considerations. Chapter 3 - Identifying and testing soil Knowing exactly what kind of soil you are working with is essential so that you can include the right materials in your cob mix. Chapter 4 - How to make a cob mix The fun part. Instructions on mixing cob with your feet are included as well as other methods which the authors have worked. Detailed information is included so you'll know if your have it right. Chapter 5 - Foundations Any building is only as good as the foundation it is placed on.

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Included in this chapter is how to create the best possible foundation so your building can last for generations. Chapter 6 - Building with cob How exactly does all this mud turn into a structure. This chapter describes multiple ways to build as well as discussing drying times and other important details. Chapter 7 - Roofs For cob to stand the test of time, it needs a good roof. Different types of roofing choices are discussed including the option of creating a turf roof. Specific instructions for creating a living roof are included. Chapter 8 - Insulation This chapter discusses your different options and ways to make your home comfortable all year long. They recommend natural materials that are sustainable and renewable. The tools and methods are described in wonderful detail. Chapter 10 - Earthen floors Yes, your floor can be dirt also. The method to create an earthen floor is mapped out in this chapter. Instructions on how to care for your flooring are included. Varying styles of both are discussed as well as instructions on how to create them. Chapter 12 - Restoration In the UK there are many cob building that have stood the test of time and survived for hundreds of years. Some of these homes are in need of repair and the authors discuss the best ways to make those repairs. They also give you some ideas about what types of problems you are most likely to come across when working with an older cob home. Different countries and even different states will have varying regulations. If you intend to build a cob home, it is always advisable to check with your local government officials to find out what you need to do to make sure your home is legal and complies with all building codes. Overall, this book is a wonderful primer filled with great information. It also includes many full color photographs that provide both insight and inspiration. Cob building is a growing building medium that creates community as well as structures.

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Too many times they make references that just seem redundant like they were getting paid by the word rather than reading well or just plain good instructions. It is enjoyable as light reading and some good pictures about the couples' experience, but just needs some more work to rate higher. I haven't compared it with other cob books but it falls short compared with most of the other earth construction books I've read.It talks a lot about legal issues that you need to address, how to build with cob and combine it with certain other materials, many of them recycled materials. Has some truly wonderful pictures and a great section on how to make cob fireplaces. The descriptions are great, and the examples are nice. I could have used more information on planning the structure of a home like this, but it was a very good read.The book is very visual, with loads of full color pictures, complimenting every chapter. Especially the 3rd and 4th chapters on soil testing, identification and getting the right cob mix is very practical and useful for cob enthusiasts and DIY type of people ( like me ), who might not have extensive knowledge or experience in the field.I love the photos and the easy step-by-step procedures. I built a green house using this book, now I'm working on a small guest house, all with materials at hand! Thanks!We did a course to get some practical experience (totally recommended) This book is the perfect accompaniment. It fills in any small gaps and helps support all of the notes we came away with. Each step is worked through in an easy to read manner with lots of tips to make sure you don't forget anything.I prefer the hand sculpted house book because it also gives details on how to build a cob rocket stove into a cob house project which is almost an essential feature of cob building.Good condition.

wellpackedarrived quickHave only glanced through it but thus far can see that it is going to be just the ticket to help me with some practical projects of the future.easy to read user friendly and got some great contact addresses at the back of the book if you want to get more info or go on some courses.so all in all I recommend this book! Groups Discussions Quotes Ask the Author It is now undergoing a renaissance as an 'eco-friendly' building material because of its amazing 'green' credentials. 'Building with Cob' shows how to apply this ancient technique in It is now undergoing a renaissance as an 'eco-friendly' building material because of its amazing 'green' credentials. 'Building with Cob' shows how to apply this ancient technique in a wide variety of contemporary situations, covering everything from design and siting, mixing, building walls, fireplaces, ovens and floors, lime and other natural finishes, and gaining planning permission and building regulation approval. It also explains in detail how to sensitively restore an old cob structure. This book is a step-by-step guide, lavishly illustrated with over 300 colour photos and 85 diagrams. To see what your friends thought of this book,Also when I was a kid the house of my Grandmothers before they tear it down so my parents will build their house was made out of cob. I distinctly remember the hot summer in Cyprus was not an issue for us because inside my grandmother house was so cool like you were sitting next to the edge of a river up in the.Also when I was a kid the house of my Grandmothers before they tear it down so my parents will build their house was made out of cob. I distinctly remember the hot summer in Cyprus was not an issue for us because inside my grandmother house was so cool like you were sitting next to the edge of a river up in the.I don’t build my house with cob but a lot of the techniques of it I incorporate it.

In the future I hope I build a cob house and this book has anything you need to accomplish that, it is actually a complete guide to build your own house, it tells you even how to manufacture the tools you will need, everything this book is a gem. Highly recommended it. There are no discussion topics on this book yet.We've got you covered with the buzziest new releases of the day. By using our website you agree to our use of cookies. It is now undergoing a renaissance as an 'eco-friendly' building material because of its amazing 'green' credentials. 'Building with Cob' shows how to apply this ancient technique in a wide variety of contemporary situations, covering everything from design and siting, mixing, building walls, fireplaces, ovens and floors, lime and other natural finishes, and gaining planning permission and building regulation approval. It also explains in detail how to sensitively restore an old cob structure. This book is a step-by-step guide, lavishly illustrated with over 300 colour photos and 85 diagrams. show more They have a passionate belief in the power of using these natural materials to benefit the health and well being of people, buildings and the environment. Adam and Katy are the authors of Building with Cob and Using Natural Finishes for Green Books. show more We're featuring millions of their reader ratings on our book pages to help you find your new favourite book. Upload Language (EN) Scribd Perks Read for free FAQ and support Sign in Skip carousel Carousel Previous Carousel Next What is Scribd. It is rather about finding a new and necessary balance in our lives between what can be done by hand, and what still must be done by machine. The last 150 years, since the industrial revolution began and the technological age took root, have brought rapid, dramatic changes to the world we inhabit. Some of these changes could be said to have brought about vast improvements in the general conditions of most people’s lives.

On the other hand, some of these changes have brought about a false sense of progress, and two main outcomes have arisen. Firstly, the ecology of the planet is suffering badly. Although it is a naturally self-adjusting mechanism, and is designed to accommodate wastes and pollution, the changes that we have brought about have happened too quickly for it to adjust, and our levels of pollution and waste have become too much and too toxic for it to cope. We are at a crossroads. We can go one of two ways: either stumble blindly on into the future, and hope that something works itself out; or stop now, and start to make conscious changes on a personal level. We can become aware and conscious of the small and large decisions that we make on a daily basis. One of the most fundamental decisions we can make is what sort of a house we live in. What sort of materials is it made out of. Are they local, renewable, non-toxic, requiring little energy to produce. Does the overall design of the house require little energy to heat and cool. Can it make use of the free energy of the sun, and deal efficiently with wastes. Can it encourage communities to come together and build. Can it help to take some of the burden off our already stretched planet. The second outcome that has arisen out of these dramatic and rapid changes has been our estrangement from the natural world. For without this estrangement, how could we have so easily and flippantly used and abused it so much. This is sad, not just because the natural world is suffering at the hands of our insensitivity (which will cause us suffering in the future, as it fights back), but because we too are suffering, through our estrangement to what is in fact a part of us, the whole of us. It should be a rich and rewarding symbiotic relationship: you give me some rocks and mud to build my house, and I’ll do my best to honour and care for the land on which I am building.

Or we can look at the tribes and communities throughout the world where industrialisation has not reached. We can study and learn from their buildings and dwellings, the ways they feed themselves, and their relationships with the land by which they are supported. A unifying characteristic of these pre-industrial societies is their sense of holism, and their understanding that everything is linked, that all actions have an impact on all parts of the system, and that the whole is more important than the sum of its parts. To these traditional societies, progress is not seen, as it is in our societies, as a linear concept, moving along a straight line from the past into the present and into the future. In industrial societies, at each stage newer and more sophisticated things are invented, so that we feel that we are better off today than we were yesterday. Earth dwelling with hand-painted exterior decoration, India On a metaphorical level, this book is about circles and cyclical time. On a practical level, this book is about building with cob (a simple mixture of clay subsoil, aggregate, straw and water). Through the process of building with cob we are encouraging you to reconnect to this wholesome, everlasting form. In the book we talk about coming full circle, back to those ideas and techniques of the past that really worked, such as walls built out of cob and roofs made out of thatch. We talk also about the use of lime as a building material, which has its own cycle as it moves from the ground as limestone, is processed into a material that can be plastered onto walls, at which point it reacts with the air, and effectively turns back into limestone. Lime can also be removed from a building, re-mixed, and re-used again.

In the chapter on siting and designing a cob structure, we encourage you to become aware of the daily and monthly cycles of the sun, and to orient your building accordingly so that you can benefit from the light and heat it provides, and so that it will be comfortable and joyous to live in and experience through all the seasons. There is also a natural cycle in the actual construction of a cob building. In an ideal situation, the materials that are present naturally on the site can be efficiently rearranged so that little waste is generated, costs are kept down, and transport of outside materials onto the site is kept to a minimum. The topsoil can be used to create flower or vegetable beds, and the subsoil, which has been removed to make way for the foundations, if suitable can be mixed with straw and aggregate to make cob to build the walls. You may also need to prune some surrounding trees to allow more sunlight in, and these prunings can be utilised in the roof structure. It is up to you how far you want to go. It is emphasised that cob buildings may need more maintenance than a standard, modern house, such as a yearly lime washing. This again can reconnect us to the natural seasonal cycles of nature. Consider also the information in Chapter 13 about cob and modern building regulations. Cob can be brought up to the standards required by the government in a modern dwelling through an approved, holistic method of assessment. Most importantly, although cob can be moulded and formed into whatever shapes you desire, it is best and at its strongest when built in the round: efficient, because no heat can get lost in corners, and cosy as it encircles you in an eternal embrace. Building with cob is about getting your hands dirty, touching the stuff, feeling its stickiness, its grittiness, its pliability and plasticity.

Hopefully, once the techniques outlined in this book have been mastered, you will begin to intuitively know whether your cob is good, the wall is stable, the lime is the right consistency, and so on. And beyond this, the true creative process can begin. There is no better medium than cob with which to shape and literally sculpt a unique, beautiful, personal piece of art, and enjoy yourself at the same time. Building with cob fosters a rejection of global homogenisation, monoculture, mass manufacturing, top-down solutions, and high-tech approaches. This age-old technique can be used in a truly fresh way to encourage regionality, the local, the specific, the appropriate, the low-tech, the simple. In this book we encourage you to go out and build something yourself that is highly relevant to the place and space that you inhabit, to become tuned to the structure and pulse ( The Spell of the Sensuous, David Abram, 1997) of your particular place. This means responding to your environment, resources and needs, and building accordingly. For example, if you live in a wet climate like in the UK and Ireland, your house must be made from materials to withstand the rain and wind, and the roof must be suitably pitched to shed water from the building. If you live somewhere where there is no clay subsoil, and where temperatures are excessively cold for long periods of time, then maybe cob is not for you (to find out why, read on). It is not a panacea for all buildings, in all places, for all people, and it should never be treated as such. Consider also how, and by whom, your cob building should be built. Today, society is structured very differently, and there are more choices around how such a building can be created. A story that makes sense is one that stirs the senses from their slumber, one that opens the eyes and ears to their real surroundings, tuning the tongue to the actual tastes in the air and sending chills of recognition along the surface of the skin.

To make sense is to release the body from the constraints imposed by outworn ways of speaking, and hence to renew and rejuvenate one’s felt awareness of the world. It is to make the senses wake up to where they are. The Spell of the Sensuous, David Abram Bear in mind that although the materials to make cob can be extremely cheap, if not free, it is a highly labour-intensive building process, and labour costs, if brought in from the outside, are expensive. For this reason, like most traditional crafts practised today, if you utilise the skills of a professional cob builder, it can be an expensive option when compared with building a house made out of concrete blocks. This can be expensive, but you are guaranteed a unique, functional and beautifully crafted structure. 2Build it yourself. Cob is a perfect self-build material, being easy to learn and needing very few tools (no expensive or sophisticated ones). It is a great way to create community buildings through the hands and feet of many people of all ages and abilities. Cob building is completely safe, and can be done by anyone who is willing to learn. Although needing someone with lots of time on their hands, by using local materials and your own labour with the help of friends, an extremely cost-effective building can be produced, which will foster empowerment and a great sense of ownership. Attending courses and reading this book should provide you with the skills necessary to build a cob structure. 3Consulting with an expert. This approach falls somewhere between options one and two above, and involves hiring the services of a professional cob builder at the beginning of your project, to get you on the right track. This person can also consult at intervals throughout the building process, or as needed.

This can reduce costs, because you can provide most of your own (cheap) labour, but can save your time and money by paying a fee to someone else who is an expert in the field, who can ensure that your project is destined for success. This is how we see the way forward for building with cob in the 21st century. And indeed, as you read through this book, we hope that you will begin to appreciate its absolute relevancy for the modern world that we live in. We know it works. Here in the UK, we have our own very specific heritage of cob buildings, and can use these not just to imitate, but to learn lessons from and to find ways to improve on those things that need improving. Contrary to popular opinion, cob and other specific natural building techniques can meet the latest UK building regulations, which are there to encourage you to build an energy-efficient and safe structure, both of which cob can provide. To come back to the beginning is to talk not just about circles, but more specifically, about the spiral. For it is not really the beginning that we want to come back to, but a different point on the same cyclical journey. For a spiral always returns to itself, but never at exactly the same place. Spirals never repeat themselves; they remind us that life is movement, and that nothing is ever the same. Repetition is neither sought nor valued, which certainly applies to cob. Straight lines, on the other hand, measure; they are static, and they separate and divide. Cob is more dynamic. Cob is transforming, flexible, forgiving, empowering, practical, democratic, simple, inherently linked to the natural world, accessible, sustainable, renewable, beautiful and highly relevant to these interesting times in which we live. 1 Earth building around the world Vernacular buildings record lifestyles of the past, when people had to find a sustainable way of life or perish. Just as we will have to now.

The new importance of vernacular building is that it has vital ecological lessons for today. It can be found in the simple shelters made of woven sticks covered in clay, the remains of which were discovered on the Nile Delta in Africa from 5,000 BC, to the rammed earth sections of the great wall of China, the majestic mud brick mosques of Djenne and Mopti in Mali, and the humble cob cottages of the British Isles. And before this, humans must have watched and learned from the swallows who weave their nests out of twigs held together by mud, and the termites who create huge mounds out of particles of earth piled delicately on top of each other. The people making these buildings were (and in some societies continue to be) the children, women and men of the rural communities around the world. They were also the finest craftspeople of the world’s most ancient civilisations, as well as the peasant tenant farmers of pre-industrial Europe. Mud has always been, and continues to be, the most available, democratic and adaptive building material on the planet. Opposite: Earthen adobe Pueblo church in Taos, New Mexico. Below: Making mud bricks by hand in Merv, Turkmenistan. Vernacular building practices around the world Quietly and almost without notice, they outwit the might of modern machinery with simple tools and materials that welcome, encourage, and amplify the use of the human hand. Bill and Athena Steen and Eiko Komatsu, Built By Hand: Vernacular Buildings Around the World. Vernacular building techniques are used for the homes of ordinary people. They are designed and built by the people who live in them, using the natural resources available locally, and using simple hand tools and a low-tech approach. They are designed to respond intimately to the local site on which they are built, and serve as an expression of the community’s and the individual’s cultural and social human needs.

Often it would seem that modern developments are the product of visions created by designers and architects, who act on theories about how they perceive people should live. This can be seen in the tenement high-rises that were erected in the 1960s and 70s. They were born out of a social housing theory which, as everyone can now see from the ghettoes of the inner cities, was horribly wide of the mark. Their beauty lies in their imperfections, irregularities, specific nuances and idiosyncrasies. It is ironic that most vernacular buildings, in which we find so much beauty, have often been made by people who have little money, no specialist knowledge, and who are simply striving to create shelter and protection from the elements with what materials they have got. We respond so deeply and positively to these features because we can feel and see the understanding that their creators had of the materials used and the environment in which they were building. We have come full circle, and can begin to re-learn all that we have forgotten. Earthen vernacular building in the UK, and the effects of the industrial revolution Probably indeed there is no county in the (United) Kingdom that has not considerable areas where the soil would, if tried, prove well adapted to cob building. Clough Williams-Ellis, Cottage Building in Cob, Pise, Chalk and Clay. The simple labourer’s cottage could be said to be Britain’s indigenous, vernacular building. It was always built with materials specific to the region, but was predominantly made out of stone and mud from the fields to make up the foundations and walls. Local trees were used for the roof timbers, and the grasses and reeds from the surrounding area for the thatch roof. It was generally built by its owner with the help of the pooled labour resources of the community, which comprised the poor, rural workforce that served the local estate, owned by the landed gentry.

These made up the homes of the ordinary people in pre-industrial Britain. The onset of the Industrial Revolution in the 1800s brought dramatic changes to all aspects of life. It brought about the beginning of the decline of vernacular building practices, and the onset of mass-produced housing. The Industrial Revolution created new factories in cities. They produced the standardised, machine- made and pre-fabricated materials that were used for all aspects of life, including buildings. Earth remains the predominant building material in South and Central America, China and Africa. Their pictures tell the story of a disappearing world of buildings that have been constructed by ordinary people who as builders and homesteaders have given artistic, modest, and sensible form to their daily needs and dreams. Sometimes accidental, often asymmetrical, and utilising materials that are naturally close at hand, these buildings, with their moulded curves and softened lines, convey a personal and human beauty. Athena and Bill Steene and Eiko Komatsu, Built by Hand: Vernacular Buildings around the World These factories provided a draw for much of the rural workforce; people moved from You've reached the end of this preview. Sign up to read more. Rate as 1 out of 5, I didn't like it at all. Rate as 2 out of 5, I didn't like it that much. Rate as 3 out of 5, I thought it was OK. Rate as 4 out of 5, I liked it. Rate as 5 out of 5, I loved it. Rating: 0 out of 5 stars Write a review (optional) Reader reviews Footer menu Back to top About About Scribd Press Our blog Join our team. Information on natural finishes is provided, including lime plasters, renders and washes, homemade clay and casein paints, and earthen plasters. It details how to construct a cob building that complies with modern building standards, and gives guidance on restoring and repairing old cob structures. A comprehensive list of resources and suppliers is also included.